The subject of art, copyright protection and the Internet are explored in this article.

Online giving to the country's largest charities surged in 2003, as many groups posted double- and triple-digit percentage gains, according to The Chronicle' s fifth annual survey of online fund raising. Combined Internet donations to the 157 nonprofit groups that provided data for this year's survey topped $100-million.

The author discusses three light shows: Rafael Lozano-Hemmer's Vectorial Elevation, Jennifer Steinkamp's Aria, and Leo Villareal's Supercluster.

This article discusses the use of electric light sources in permanent light-art installations.

This article explains and gives tips on how early childhood teachers can utilize special momentsﾝ to interactively teach a child about the sciences.

Technology-based art has become increasingly of interest to both the art and the technology communities, as well as to the public at large. It has been adopted by art centers interested in technology and by research labs interested in art, places with different cultures and histories.

New support opportunities exist for tech-based art, such as commercializing invention and tapping a new generation of collectors, patrons and sponsors. But tech-based art is still art, which suffers from deep cultural inadequacies in the . Based on travel and discussion both inside and outside the

Free Culture looks at how the big media corporations are using legal avenues to regulate new technologies that subsequently shrink the public domain of ideas, and how these corporations are using these same technologies to control what we can and can't do with culture.

This article explores the nature of losses when protected works are stolen, infringed, or pirated and how the losses differ significantly for materials in physical and virtual form.

This article offers tips to organizations for waging an effective, online advocacy program and integrating it with other activities to successfully manage constituent relationships.

Drawing on legal, historical, and qualitative research, the author explores the propertization of academic work and shows how that process is shaking the foundations of the university, the professoriate, and intellectual property law.