National Arts and Humanities Month is Here!
What will you do to join the National celebration?
Wednesday, October 1, 2014
The greatest month of the year is upon us - National Arts & Humanities Month!
The greatest month of the year is upon us - National Arts & Humanities Month!
Civic leaders in Elko County, Nevada are supporting the arts by commissioning a new public artwork. The editorial news column from staff of the Elko Daily Free Press encourages the growth of public art in the Elko County. In the editorial, public art is stated as a value to the community citing recent projects by the Neveda Department of Transprotation and a 9/11 memorial. Though the abstract works that were prominent civic artworks many have challenged communities, the value of a public artwork enhances a sense of place for the area.
It's that time again: Americans for the Arts is seeking at least 200 partners to make this Arts and Economic Prosperity Study larger and more comprehensive than ever before--and we invite YOU to be a part of it!
On Wednesday, June 18, Bob Lynch and other members of Americans for the Arts' staff joined The Art Institutes for their Congressional Arts Reception honoring this year's Annual Poster Design Competition winners. This year's winners are Ameila Kohr who will be attending the Art Institue of Las Vegas, Madeleine Brackett who will be attending The New England Institue of Art, and first-place winner Ashley Devaney, who will be attending The Art Insititue of Charleston.
Consumers spend nearly $150 billion annually on entertainment and the arts. How does this breakdown to spending on the arts in your individual community?
With 2013 ending, we at Americans for the Arts find ourselves grateful for so many great arts achievements this year. There are so many partners doing amazing work in towns, cities, and states across the country--and in reflecting on this work, we wanted to especially thank the National Endowment for the Arts (NEA) and its staff for serving as the national lynchpin for the whole US arts field.
Representatives Frankel (D-FL), Lynch (D-MA), O’Rourke (D-TX), and Titus (D-NV) have all recently joined the Congressional Arts Caucus, which is currently co-chaired by Reps. Louise Slaughter (D-NY) and Leonard Lance (R-NJ). The caucus now has 163 members.
Americans for the Arts is partnering again with Destination Marketing Association International (DMAI), a professional organization representing destination marketing organizations and convention and visitor bureaus worldwide.
The Carson City Symphony, directed by David Bugli, will open its 35th season on Sunday, featuring guest harmonica soloists Jiayi He and Tom Stryker. The program includes music by Verdi, Smetana, Arthur Benjamin, John Barnes Chance, and others.
The Carson City Symphony Association presents an elegant evening of music, wine, and dessert on Saturday, November 7, 2015, at 7:00 p.m. at the historic Bliss Mansion, 608 Elizabeth Street in Carson City. The recital features award-winning classical harpist, Marina Roznitovsky Oster playing various solo works for harp.
The Carson Chamber Singers, directed by Michael Langham, begins its 31st season with a pair of concerts—Sunday, Nov. 1, at 7:00 p.m., and Tuesday, Nov. 3, at 7:30 p.m.—both at St. Peter's Episcopal Church, 314 N. Division St. in Carson City.
As the days grow short, the Mile High Jazz Band is preparing "Autumn Jazz," a program of big-band music with vocalists Jakki Ford and June Joplin. Among the tunes planned for the program are "Early Autumn," as a nod to the fall season; "Sweet Georgia Brown," long associated with basketball's Harlem Globetrotters; "The Heat's On"; and "Whodunnit?," the band's tribute to Halloween.
The Carson City Symphony, directed by David Bugli, will open its 32nd season with a concert featureing guest trumpet soloist Paul Lenz. The program includes Symphonic Suite from "The Lord of the Rings: The Two Towers" by Howard Shore, Symphony No. 3 (Rhenish) by Robert Schumann, Finlandia by Jean Sibelius, and Trumpet Concerto in E-flat by Johann Nepomuk Hummel.
Mile High Jazz Band presents Autumn Jazz, a program of big-band music with vocalist Cindee LeVal. Autumn Jazz celebrates National Arts & Humanities Month and is part of World Music Days, an annual global event affirming the ideals of tolerance, friendship, and shared humanity, inspired by the life and work of journalist and musician Daniel Pearl.
Mile High Jazz Band is supported by public funding from the Nevada Arts Council and the National Endowment for the Arts.
Although the timing of congressional votes keep getting kicked around, it remains a crucial time in Washington for arts education.
Jay Dick
In a society struggling to find equity and social justice, Americans believe the arts improve the quality of our communities. How do we know? We asked. Americans Speak Out About the Arts in 2018 is the second in a series of national public opinion surveys conducted by Ipsos on behalf of Americans for the Arts. One of the largest ever conducted, it gauges the public perspective on (1) personal engagement in the arts as audience and creator, (2) support for arts education and government arts funding, (3) opinions on the personal and well-being benefits that come from engaging in the arts, and (4) how those personal benefits extend to the community. Here are some findings of the survey.
Read MoreOn January 1, the 2018 Tax Cuts & Jobs Act went into effect, a substantial change to the U.S. tax code which has the potential to negatively impact arts and culture nonprofit organizations in a variety of ways. One of the most significant impacts will come in changes related to the thresholds and amounts associated with the charitable tax deduction. This 100-year-old provision was designed to stimulate giving to charities and other organizations serving the public good by providing an opportunity to claim a deduction as a reduction in an individual’s tax burden. While the repercussions of the federal tax code changes are still emerging, and corresponding shifts in state-by-state tax policy may impact your situation, the notes that follow are an introductory primer. If you have questions about state-level implications, we recommend you reach out to your state comptroller or state association of nonprofits.
Read MoreAlthough years may really just be a number, in its 31 years, Arts Advocacy Day has seen six different U.S. presidents spanning both political parties. It’s witnessed sixteen different congressional sessions and eight different Speakers of the U.S. House. Through it all, every year, attendees hear that “the arts are bipARTtisan.” Because, no matter who’s in office, arts advocacy matters. Funding decisions are made every year. Who’s deciding this year may not be deciding next year. Who’s to remember what happened before? Who’s to know why it matters? Who’s to learn from each other? The answer is us. All of us. All of us together.
Read MoreWhen recently asked how best to advocate for the arts in the current environment, U.S. Senator Tom Udall (NM)—co-chair of the Senate Cultural Caucus and chief sponsor of the CREATE Act—was unequivocal: “Start by telling every one of your Senators about the economic benefits of the arts.” This familiar refrain is one we have heard for decades from city council chambers to governor mansions to the halls of Congress—and it works. Arts & Economic Prosperity 5 does just that. It changes the conversation about the arts from that of a “charity” to one about an “industry” that provides both cultural and economic benefits to the community.
Read MoreIt’s easy to rattle off numbers, but what does this increase in funding really mean? Great projects across the country will now get to continue. Last year, the NEA recommended more than 2,400 grants in nearly 16,000 communities in every congressional district in the country. A review of NEA grants shows that the majority go to small and medium-sized organizations, and the diversity among these grant recipients is unmatched by any other U.S. funder. One grant program, “Challenge America,” is dedicated to reaching underserved communities—those whose opportunities to experience the arts are limited by geography, ethnicity, economics, or disability.
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