Twelve Things Americans Believe About the Arts in 2018
There are many studies that document the social, educational, and economic benefits of the arts to communities. But how does the American public feel about the role of the arts in their lives? Do they value arts education and support government funding of the arts? How important is creativity at home and at work? We put these questions directly to the public to find out. “Americans Speak Out about the Arts in 2018” was conducted by Ipsos Public Affairs for Americans for the Arts in May 2018. It is based on a nationally representative sample of 3,023 American adults, making it one of the largest public opinion studies about the arts ever conducted. As one might expect when hearing from the public, we find a mix of assumptions challenged and observations confirmed.
Bring it on.
I have learned what is important for me through the arts: whether it is a hobby or a profession, the arts allow us to tap into our own voice and find what is meaningful. It is an extension of who we are, and it is reified in the world through words, music, paintings, and movement. The arts tune us into the thing that makes us tick. It gives us the power to listen to our own selves, to truly go in and feel. In a world where everything is external, the arts are a reprieve—a moment to lean in and go deeper. The arts give you a confidence to listen and to chart your direction. With a better understanding of my own self, I can make connections and lead this organization more effectively. I see myself as the Jackson Pollock of arts administration—at first glance, one might think it’s chaotic, but there is intentionality behind every stroke.
Giving Trends in Business Contributions to the Arts
Earlier this fall, Americans for the Arts and The Conference Board released the Business Contributions to the Arts: 2018 Edition report. The results provide both an insight into current corporate giving trends as related to the arts and an opportune moment to look back on broad trends. While the survey methodology has changed numerous times over the years, making exact comparisons challenging, we can examine the overall progression of certain aspects of arts support among companies, including what size businesses are consistent arts supporters, what reasons companies give for supporting the arts, and how giving behavior changes (or not) as the national economy fluctuates.
On Women in Leadership in the Arts
Today, in these seemingly unenlightened times, it is easy to worry that the very people we have elevated to leadership can neither identify nor light the way. This isn’t just a concern about who might run for office or be appointed to the Supreme Court. It’s a worry about the critical and threatened role of inspiration, integrity, generosity, and compassion in public life. As a leader of a nonprofit arts organization in this context, I think the most important thing we can do is urgently and carefully consider the current and potential role our organizations can play in reimagining and reigniting our struggling democracy. As a female leader and a mom, it is natural for me to think about how and why an organization was born, and how and why it exists today. I have often reflected that institutions were made by people in order to deliver on the promise of democracy. We know they are not doing that, so we have to change them. The purpose of leadership, in many ways, is not to hold an organization in place but to constantly nurture it toward what it can and should be.
Community Boots on the Ground: Building Healing Arts and Military Community Relationships
For several years now, I’ve had the great honor to work with Americans for the Arts and its National Initiative for Arts & Health in the Military to convene and advocate the value of the arts in health and healing nationwide, particularly its significance to the military community. Through this transforming experience, I’ve seen thousands of individuals—boots on the ground—who are building healing arts and military networks, which offer civilian and military community members greater opportunities to regain health and wellbeing and to build resiliency in response to the reality of increasing trauma occurring within our communities. A ubiquitous presence in the community ecosystem uniquely positions the arts to lead the movement to create healing networks and non-stigmatized environments that both afford respect and foster community-wide resilience and growth for individuals facing the invisible wounds of war.
One of the Boys
With three brothers and no sisters, I grew up thinking I was one of the boys. My 4th grade claim to fame was being the arm wrestling champion of my class, and it was a source of pride that I could out-run one of my older brothers when we played tag football. The boy next door was altar boy to my priest when we played Mass. If you really wanted to get me mad, you’d tell me I couldn’t do something because I was a girl. I share this background as a way of explaining that I don’t often think of myself in terms of my gender. My many role models are as likely to be women as men. The times when I have encountered career hurdles, I’ve attributed them to other factors—e.g., someone else was more qualified, I was too timid, etc.—not to the fact that I’m female. The times when I have faced blatant gender discrimination I have called it out as directly and respectfully as I knew how, and with humor when possible. When someone is stepping on your toe, say “ouch.” I resist the idea that my potential is attenuated by a largely immutable characteristic.
40 Years Young: The Evolving Practice of Cultural Planning
Research released this week by Americans for the Arts sheds light on the aspirations, accomplishments, shortcomings, and methods used in cultural planning over the past decade and compares findings with Craig Dreeszen’s similar—although more extensive—study from 1994. The data reveal that expectations of cultural planning have increased significantly over these 20-plus years, and that the greatest change is in the emphasis on serving community interests rather than a focus on the arts and cultural sector’s own needs. While community-wide cultural planning helps formulate aspirations and action strategies, it doesn’t ensure results. Where cultural plans also set their sights, but where outcomes fell short, is in the area of cultural equity—expanding resources for under-represented groups including immigrant populations, removing barriers to participation, and bolstering education and youth development. Fewer than half of cultural plans included specific actions to address diversity, equity, and inclusion—a surprising finding in 2017.
Encouraging Women to Think Big
As a nonprofit arts leader, I am inspired every day by the growth in our sector, as well as the undeniable positive effect that artists and arts organizations have in their communities. At Theatre Communications Group, we say “A better world for theatre, a better world because of theatre.” We understand that theatres need knowledge, networks, and resources, and TCG has a role to play in supporting those needs. But theatres also have unique capabilities and responsibilities in their communities. If they choose to, they can help bring about justice and social change through the work on and off stage. I am rewarded every day by the ways in which people of all ages can engage with the artistry on its own terms, as well as the conversations and awareness that theatre evokes. And yet, while there is so much to be celebrated, the nonprofit arts sector has also replicated some of the structural inequities of the larger economic system.
How CRM Can Help You Outperform National Arts Industry Revenue Benchmarks
Content presented by PatronManager.
In economic news, we sometimes hear that the arts aren’t doing so well. So, how can your arts organization defy this trend and become a sustainable entity for years to come? I have three letters for you: CRM.
CEO Reflections: Fifth Third Demonstrates How the Arts Heal
The Business Committee on the Arts, an organization started by David Rockefeller in 1966, celebrated the many ways that the arts bring people together on Tuesday, Oct. 2 in New York City. We at ArtsWave were proud that Cincinnati once again “made the list” with our own Top 10 Business Supporting the Arts in America: Fifth Third Bank. In the midst of stories of arts engagement and creative partnerships that characterized the remarks of each honoree, Fifth Third’s SVP and Chief Administrative Officer Teresa Tanner shared something particularly poignant and timely with the guests. Teresa described how art is being used to foster healing after the horrific mass shooting in the bank’s lobby in September. In the days that followed, bank leaders decided to cover the lobby’s broken windows with huge canvas boards. To show solidarity with one another and build strength in numbers to move forward, employees were invited to dip their hands in paint and leave their handprints on the canvases. Hundreds of colorful handprints now adorn the space and remind Fifth Third employees that they are “Fifth Third Strong” and “Cincinnati Strong.” This simple activity became a profound and hopeful action, something that brought the company together after unspeakable loss.
The Transformative Power of Cross-sector Collaboration: A Story of the Lackawanna County ARTS
The ARTS Engage! Task Force was created in 2016, inspired by a successful youth arts program and with a mission to “improve the quality of life for Lackawanna County residents through access to and participation in artistic, creative, and cultural experiences.” The power of passionate, committed, and diverse people working together has the ability to transform communities, but meaningful cross-sector collaborations take time. The kind of knowledge trust, enthusiasm, and planning needed for sustainability cannot be achieved in a short time frame. But rather than think of this as daunting, we can see it as a chance to expand our world, meet new people, challenge our cognitive biases, and create innovative and integrative systems of change. There will be stressful days, things won’t always work, and there may even be conflict. But I have found the joy in this work, and the impact far outweighs the difficulties.