Darlene McClinton is the grants manager for ArtsGreensboro, a community-supported nonprofit organization and the largest public and private alliance dedicated to sustaining the Greensboro, North Carolina, arts economy. McClinton also is an artist, educator, entrepreneur, collaborator, ally, and advocate. Since joining ArtsGreensboro in December 2019, she has made a significant difference in their outreach efforts, diversifying their grant pool, and expanding their artist support grant applications over 400% from the previous year. This post is the latest in our series featuring the many Americans for the Arts members doing transformative work for arts education, public art, advocacy, arts marketing, and more.

On the morning of June 30, 2021, a new and unexpected threat to a pro-arts piece of federal legislation became apparent. The full U.S. House of Representatives was beginning final consideration of the INVEST in America Act of 2021 (H.R. 3684), which included an arts and transit provision that had not attracted any opposition—until an amendment from Rep. Bob Gibbs (R-OH) aimed to strike the pro-arts provision from the bill. Rep. Gibbs argued that that federal dollars shouldn’t be used for “feel-good frescoes and metro station murals.” What Rep. Gibbs and other opponents fail to realize is that the provision does not require art projects, but rather allows local transit authorities the option to hire artists and install public art in transit projects if they wish. And it doesn’t cost the federal government money, but rather allows local transit authorities the option to spend their budget hiring an artist if they want to. Arts-related votes on the floor of either chamber of Congress are a rarity, so a dynamic advocacy strategy becomes extremely important when one occurs—and in this case, Americans for the Arts marshalled every arts advocacy tool in our war chest in response.

Founded in 2008, with start-up funding of $10 million from the Ford Foundation, NACF supports Indigenous artists, culture bearers, and Native-led arts organizations through fellowships and project funding. Betsy Theobald Richards (Cherokee), who served as Ford’s Program Officer in Media, Arts, and Culture from 2003 to 2010, provided key leadership in establishing NACF. Other Native leaders and artists were involved from the get-go: the civil rights lawyer Walter Echo-Hawk (Pawnee), poet and musician Joy Harjo (Muscokee-Creek), museum director and artist Elizabeth Woody (Yakama Nation Wasco descent and Citizen of Confederated Tribes of Warm Springs), and singer, artist, and educator Buffy Sainte-Marie (Cree First Nation of Canada), among others. It’s powerful to have such dynamic and creative national and community-based leaders setting the stage for NACF’s work. The organization is currently in the early stages of developing a major cultural facility and new headquarters: the Center for Native Arts and Cultures in southeast Portland, Oregon, with a vision to create a “vibrant gathering place” for Indigenous artists as a convening ground for cultural ceremonies and celebrations; as an incubator for Native artists to create; and as a venue for presenting contemporary exhibitions and performances, workshops, and seminars.

Since the late 1970s, the Salt Lake City Arts Council has promoted, presented, and supported artists, arts organizations, and arts activities to further the development of the arts community and to benefit the public by expanding awareness, access, and participation. As director of the Arts Council, Felicia Baca acts as the chief arts and culture advocate for the city and oversees the development, promotion, implementation, support, and strengthening of creative programs and policy. “I’m an advocate, ambassador, and relationship-builder to elevate artists and art organizations in the city, while facilitating opportunities for residents to engage in the arts. My hope is to further the development of an arts ecosystem citywide that considers artists and arts engagement as essential for livability, equity, and economic development. Our Arts Council has a variety of functions, including granting, public art, and public programs. It all ties back to serving as an advocate for artists, and engaging residents in the many benefits of the arts.”

Since 2016, Jeremy Johnson has been executive director of Newark Arts, one of the city’s leading nonprofits. The organization makes grants to neighborhood arts programs, produces the award-winning Newark Arts Festival, and advocates for policies to uplift Newark as a city of the arts. During his tenure, Newark Arts has strengthened the city's cultural profile, including the 2020 ranking of Newark among America's Top 10 Arts-Vibrant Communities by the National Center for Arts Research. Johnson led the creation of Newark’s first community cultural plan, Newark Creates, which resulted in the city-sponsored Creative Catalyst Fund to support area artists impacted by the COVID-19 pandemic.

The Arts & Science Council (ASC), the local arts agency for Charlotte-Mecklenburg in North Carolina, for nearly 60 years engaged in practices that led to inequitable funding to organizations and creative individuals. In June 2019, ASC’s Board of Directors approved a Cultural Equity statement. It creates a framework to set organizational policies and practices and offers external visibility for the organization’s commitment to cultural equity. It also guides ASC’s decision to cap operating support grants for large institutions to fund small and mid-sized organizations so they can build their capacity and thrive. The board agreed that if it is committed to doing this work, ASC must report to the community on its progress. The report was not done in a vacuum. Experts in the history, equity, cultural transformation, philanthropy, and public relations space served as external readers. Their feedback was valuable. When the report was published on February 24, 2021, it felt liberating. While I knew the facts in the report were startling, I never thought I would experience so intimately the uncomfortableness, the defensiveness, and the scaredness of white people reacting to the unvarnished truth.

Philanthropists around the country are trying to make an outsize difference during the COVID-19 crisis with an initiative called #HalfMyDAF. The group, founded by Jennifer and David Risher, has banded together to offer matching challenge grants when others join them in committing to distribute at least half of the money in their Donor Advised Fund accounts to charities. The initiative spurred the distribution of $8.6 million in DAF distributions that were matched by $1.8 million in matching grants in 2020. So far $3.1 million is available in matching grants for 2021, but those funds will support the arts only if arts philanthropists step up to participate. Below is the story of one arts organization that benefitted from the initiative in 2020, Ashland New Plays Festival, which received a matching grant that provided a significant additional financial boost in a difficult year. Could this growing movement do even more for the arts in 2021?

Why do the arts matter? If you ask 100 people this question, you will most likely get 100 different answers, but each of these answers will be authentic and personal to that responder. This is what makes the arts so powerful and diverse. There are over 5 million people employed in the creative economy in America. The arts, along with tourism and restaurants, are some of the hardest hit industries as a result of the pandemic. Even after incredible federal, state, and county assistance, 27% of musicians are still unemployed, along with 52% of actors and 55% of dancers. Every county in America, large or small, urban or rural, has the arts as part of its collective experience. Artists live everywhere and their work seeks to engage their fellow humans to ask questions, to look at a topic in a new way, to foster dialogue, or to bring people together. As an arts advocates, it is up to us to recognize and educate others about the value that the arts bring to any county, to encourage it, to highlight it, and even to help support it. The arts will always be there to be part of our nation’s narrative—we just need to listen and to act.

As we arrive at roughly the halfway mark of state legislative activity for 2021, I thought I would take a few minutes to highlight some legislative trends that we are seeing in various states across the country, along with the top arts related topics. Currently, 42 of the 50 states are in session with eight having already adjourned for the year. Most of the rest of the state legislatures will adjourn by July 2, with six meeting all year. While a firm number of bills being introduced is not readily available, the number is in the tens of thousands. As of this writing, Americans for the Arts is tracking 841 pieces of legislation across all 50 states, many of which could have an impact on the arts. While the vast majority of this legislation will not become law, it is always important to keep a watchful eye to prevent any bad legislation from being signed into law and to support legislation which is helpful. You can see which arts-related bills are in your state’s legislature by visiting your state page right here on our website.

Jenice Gharib serves as the grants program and policy director at New Mexico Arts (NMA), the state arts agency and a division of the Department of Cultural Affairs. NMA’s primary function is to provide financial support for arts services and programs to nonprofit organizations statewide and to administer the 1% public art program for the state of New Mexico. Gharib manages the department's Arts & Cultural Districts, Local Arts Councils & Service Organizations, Arts Trails, and Economic and Entrepreneurial Development programs. Her varied experience includes running an organic coffee company, starting a joint venture in Poland, and turning around a bankrupt cable TV company. As a writer, she has published articles, reviews, essays, poetry, and short fiction, and has had three plays produced. 

The effective arts advocate needs to articulate the value of the arts in as many ways as possible—from the passionately inherent to the functionally pragmatic—and to deploy the right case-making tool in the right moment. Consider these “10 Reasons to Support the Arts” as your Swiss army knife for arts advocacy. It can feel intimidating Zooming with, or walking into, a legislator’s office—even to experienced advocates. To always feel prepared, I break the advocacy process down into three questions: Who gets the message? What is the message? and, Who delivers the message? When you are preparing your case for the arts, remember The Golden Rule: No numbers without a story, and no stories without a number. The arts are all about stories—often small, always meaningful. Share yours. It is engaging and draws your listener in—and then pair it with the research-based findings in “10 Reasons to Support the Arts.” Yours will be an advocacy visit that is not soon forgotten!

About this time last year, Americans for the Arts staff put our heads together to create a “Trends in 2020” blog post. We didn’t anticipate an economy-grinding pandemic, which has devastatingly shaped everything this past year, but we did hit some of the other trends that occurred—demographic change, rising division and distrust, shifts towards equity, the fight over who would get to vote and political power, and the primacy of data. Across the arts field, most of us would agree that 2020 was a humbling, surprising, traumatic, and frustratingly unpredictable year. While trend forecasting in this moment is a tricky business, understanding what might be coming around the bend is crucial to our success as a field, particularly as we navigate such a volatile time. Who knows, honestly, what 2021 will bring—but the staff at Americans for the Arts got together (virtually, this time) and here’s what we’ve come up with—10 trends that we think will impact arts, culture, and the creative economy in 2021.