Roseann Weiss

In the second week of April, when St. Louis was blooming with an early spring, 292 people came for Rustbelt to Artist Belt: At the Crossroads—an arts-based community development convening—to be part of the discussion about the arts and social change.

This conference combined the three Rustbelt to Artist Belt meetings that took place in Cleveland and Detroit with the At the Crossroads convening that took place in St. Louis in 2010.

I proposed this combination when attending the conference in Detroit and the idea stuck with Seth Beattie from Cleveland’s Community Partnership for Arts and Culture (CPAC), the organizer of Rustbelt. With phone calls and emails back and forth and with a grant from the Kresge Foundation, we did it!

I wondered whether our gamble—combining the people who talk about creative regeneration of neighborhoods in the Rustbelt with people who practice community arts and social engagement—would pay off.

Would we all be able to significantly connect these threads that make up the fabric of positive social change?

Ursula Kuhar

Local. Public. Value. Arts.

Try creating a cohesive, comprehensive sentence that reflects our field using these four words.

These simple words that occupy so much complexity within our industry, and an entire day of dialogue at the first Americans for the Arts Executive Directors & Board Member Symposium held on April 15.

It was an exhilarating experience to participate in a peer exchange with diverse leaders from organizations around the country including Americans for the Arts President & CEO Bob Lynch, Jonathan Katz of the National Association of State Arts Agencies (NASAA), and Mary McCullogh-Hudson of ArtsWave.

In order to frame our work as arts leaders forging into a “new normal” in the industry, Bob shared the history and context of the local arts movement in America, rooted in the discovery of the Americas to the first established arts council in 1947 by George Irwin in Illinois, to the evolution of today’s local arts enabling organization that provide cultural programming, funding, community cultural planning, and of course, advocacy activities.

A poster for "Radius: A Short Film."

A fascinating new project out of Cincinnati just recently caught my attention.

Filmmakers were inspired by The Arts Ripple Effect: A Research-Based Strategy to Build Shared Responsibility for the Arts, a study conducted by local arts agency ArtsWave in 2008.

The study and report were "designed to develop an inclusive
 community dialogue leading to broadly shared public responsibility 
for arts and culture in the region" and "concluded that [their] work with the community through arts and
 culture must be based on a foundation that incorporates a deeper 
understanding of the best way to communicate with the public in
 order to achieve that shared sense of responsibility."

Calling it "the world’s first game-sourced movie," Radius: A Short Film, created by Possible Worldwide, a WPP Digital company, with multiple Cincinnati-based partners, "the film was shot in and around Cincinnati during MidPoint Music Festival and other arts events."

What makes it especially unique is that the film was created by editing "from more than 2,000 unique pieces of crowd-sourced content" gathered using a smartphone app called SCVNGR.

Tim Mikulski

Earlier this month, Forbes released another one of its ranking lists, which I assume are only created in order to gain attention and web traffic---"America's Most Miserable Cities."

This list is one that tends to pick on the same communities that have been forced into our heads as places you don't want to live, work, go to school, etc., yet, there are residents doing all of these things in each and every one of them.

As someone who used to work in Camden, NJ, one of those cities that is constantly appearing on Forbes' similar "America's Most Dangerous Cities" list, I understand what that label can do to the residents of a community that already can't seem to catch a break.

Which leads me to the fact that Forbes declared Miami #1 on the "America's Most Miserable Cities" list. Never mind the fact the author of the main post is their sports business writer, but the fact that such a vibrant city, known for its arts and culture is #1 on that list is a bit surprising.

Well, here is the criteria they used: "We looked at 10 factors for the 200 largest metro areas and divisions in the U.S. Some are serious, like violent crime, unemployment rates, foreclosures, taxes (income and property), home prices, and political corruption. Other factors we included are less weighty, like commute times, weather, and how the area’s pro sports teams did. While sports, commuting, and weather can be considered trivial by many, they can be the determining factor in the level of misery for a significant number of people."

Very scientific.

But there's more---a number of the cities on this list also appear on the "most dangerous" list, too. Talk about kicking a community when it's down.

Robb Hankins

In downtown Canton, OH, through an ongoing partnership with the Canton Regional Chamber of Commerce (and its Special Improvement District), we’ve spent the last five years creating the Canton Arts District.

The results have been totally amazing and changed everyone’s thinking about this downtown coming back.

In 2005, we started with three strategies: live music, galleries/artist studios, and public art. We had only one art gallery----and not a single artist studio.

Today, the Canton Arts District has 26 galleries and studios.

The first art studios opened when local developer Mike King bought an old building down on 4^th Street NW, deciding to convert it into Studio 5. It would have five artist studios downstairs and five independent artist apartments upstairs. ArtsinStark partnered with King on spreading the word and providing a small rent subsidy for the first year.

By the time Studio 5 opened every unit was rented out and there were eight artists on the list hoping for another building. Here’s a video of how Studio 5 looked when it was just opening

As the Canton Arts District began to take shape we needed a way to let people know, so we decided to host a monthly party----First Friday.

Hannah Jacobson

Quick -- point to Dublin, OH on a map.

How about Clinton County, MI; Douglasville, GA; or Missoula, MT? (Zero points if one of those cities is your hometown).

For those of us with a few years between elementary school geography and the present, it shouldn’t be too much of a surprise if these seemingly arbitrary locations elude us.

Some residents of Taiwan, however, might find Dublin as easily as they would their own hometowns. It’s a similar story for students in Shiga, Japan with Clinton County; Denmark with Douglasville; and Neckargemün, Germany with Missoula.

In Americans for the Arts’ December webinar, produced in tandem with the special report entitled Backyard Diplomacy, we found out that cultural exchange—taking various forms of art that are from, inspired by, or headed to a distinctly foreign locale—is happening every day, in cities small and large, through local arts agencies (LAAs).

The major lesson? LAAs of any size and shape can and should feel empowered to take a field trip around the world.

Fourth of July celebrations started early for several states this week, as arts advocates scored major victories in Ohio, Pennsylvania, New Jersey and South Carolina.

Ohio Citizens for the Arts is reporting that the state arts council will enjoy a 30.5% increase in funding for the 2012-13 biennium – 62.1 percent more than Governor John Kasich had proposed. The current allocation for FYs 2010-11 is $13.2 million, with the governor proposing only $10.6 million for the upcoming biennium. However, legislatures decided to increase that number to $17.2 million, and the governor agreed!

In Pennsylvania, the House of Representatives had proposed a 70% reduction to the $9 million budget of the Pennsylvania Council on the Arts- a stark contrast to Governor Tom Corbett’s request for essentially flat funding. The Senate did not concur, and reinstated the funding: $8.2 million for arts grants, and $866,000 for arts agency administration. The House acquiesced, and the amended budget was sent to the governor for approval.

Finally, the New Jersey Legislature was pushing for a 27% cut to the $16 million budget of the state arts agency, but Governor Chris Christie removed language in the final budget that would have enacted those cuts. And, as most are already aware, South Carolinians scored a major victory as the legislature voted to override Governor Nikki Haley’s line-item veto of arts funding, thus preserving the $1.9 million allocation to their arts commission.

Karen Gahl-Mills

With each day’s news, we read about further reductions in public arts funding at the state and federal level. We are all challenged to, yet again, help our public officials see the value in supporting institutions such as our state arts councils, under threat as our states look for solutions to budget gaps.

Permit me to provide a glimmer of hope in this otherwise dark time, and let me tell you about the success story that is Cuyahoga Arts & Culture.

In 2006, after ten years of hard work, a broad and diverse group of community leaders came together to pass a dedicated, 10-year cigarette tax for arts and culture in the county that includes and surrounds Cleveland.

Overnight, our region moved from having one of the lowest per capital local investments in arts and culture--64 cents--to having one of the highest--$13.50 at last count.

Margy Waller

We love the stuff that brings people together to experience special and fun things that can only happen here.

On Tuesday, May 3, legendary cellist Yo-Yo Ma performed with the Cincinnati Symphony for almost 3,500 people, filling every seat in our beautiful, historic Music Hall.

The performance was so highly-anticipated that it was sold-out for months in advance, leaving hundreds of fans without tickets.

So, our community leaders came together to fashion a creative response to this dilemma -- making sure that people all around could share the music.

Spain's Landarbaso Choir

As this title suggests, corporations ARE still funding the arts, and they’re finding creative ways to do so.

Recent funding cuts have hit mid-sized and small cities throughout the country particularly hard. This is especially true in rural and underserved areas.

Although not quite underserved/rural, Cincinnati has become a great example of how cultural events, festivals, concerts, and competitions bring visibility, income, and fun to communities throughout the country.

Procter & Gamble Co. (P&G) recognizes the unique influence of the arts as well. The company has become the first major corporate sponsor for the World Choir Games 2012. The biennial choral music competition is the largest of its kind in the world and is expected to draw some 90,000 people to the Cincinnati area next summer. 

Visitors enjoy "the party on the painting."

One night in mid-May, the coolest place in Cincinnati was a party on top of a painting.

It was Cincinnati Fashion Week and we were all smack in the intersection of art and business. We went to parties celebrating Andy Warhol in the former Contemporary Arts Center, talks about fashion art at the Cincinnati Art Museum, and more.

Thursday night, on a beautiful summer evening, Landor Associates (a global branding and design firm with offices in London, Paris, Tokyo, New York, Cincinnati and more) hosted a party celebrating graphic fashion.

Landor Cincinnati is perfectly positioned to host a fashion party because it’s located in one of our city’s iconic department store buildings. Built in 1878, the Shillito’s Department Store location was a premiere shopping destination for the local business that became Macy’s (also headquartered here in Cincinnati). 

In their acceptance speeches at the 2016 BCA 10 Awards, twelve industry leaders spoke about what being honored at the 2016 BCA 10 means to them and why they encourage and seek out opportunities to bring the arts into their worlds.

"We believe that everyone in this room is art. And when art and the folks in this room come together, we spark innovation; we inspire youth. We celebrate and heal communities. We stimulate economies. We sustain this great nation."