Pennsylvania
Pennsylvania
Top 10 Reasons to Support the Arts in 2014
Pennsylvania
Business and the Arts: Why they need each other (from the pARTnership Movement)
Pennsylvania
Friday Is the New Tuesday, and Other Observations on the “New Normal” in the Nonprofit Arts Sector
Pennsylvania
Fresh Consumer and Business Data on the Local Arts Index Site
Pennsylvania
2002 Honoree -
Biography
Americans for the Arts and The United States Conference of Mayors have selected the Manchester Craftsmen’s Guild to receive the 2002 Award for Excellence in Arts Programming For Youth. Robert L. Lynch, president and CEO for Americans for the Arts, stated “The dedication of the Manchester Craftsmen’s Guild to the youth and future of its community has had a tremendously positive effect on generations over the course of many years. We are proud to honor the Guild and Bill Strickland for his foresight and devotion.”
Pennsylvania
2016 Honoree -
Biography
This year, instead of the award being presented to one person, we are pleased to present the Public Leadership in the Arts Award for State Arts Leadership to the four Founding Co-Chairs of the Pennsylvania Legislative Arts & Culture Caucus. The chairs are:
Senator Patrick Browne (R-16)
Senator Jay Costa (D-43)
Representative Tim Briggs (D-149)
Representative Stan Saylor (R-94)
Pennsylvania
2012 Honoree -
Biography
Pennsylvania
State Arts Action Network
Pennsylvania
Join the Arts Action Fund
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Mr. Lucas Cowan
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-2028-1546887297.jpg?itok=rWNd8DGj)
Mr. Kipp Kobayashi
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Ms. Mandy Vink
2018 PAN Year in Review Trends and Themes: Underrepresented History Projects
Posted by Jan 14, 2019
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Mr. Lucas Cowan
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-2028-1546887297.jpg?itok=rWNd8DGj)
Mr. Kipp Kobayashi
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Ms. Mandy Vink
Annually, the Public Art Network (PAN) Year in Review recognizes outstanding public art projects that represent the most compelling work for the year from across the country and beyond. The projects are selected and presented by a jury of three professionals who represent different aspects of the public art field, including artists, administrators, and other public art allies. New this year, the PAN Advisory Council curated the selected 49 selected projects for 2018 under five unique themes to broaden the exposure of the selected works on ARTSblog and social media, and to provide context to the works through national trends and themes that are impacting the field today.
Many of 2018’s selected public art projects addressed issues at the forefront of current political discourse — particularly, how history and culture has not represented race, gender, sexuality, and class with fairness. Politically and socially, the issues are playing out through the incoming U.S. House of Representatives and the #MeToo and Black Lives Matter movements, among others. The arts and culture field is not exempt from addressing these national challenges, as demonstrated in recent museum exhibitions focused on decolonization, through the debate on memorials and monuments, and with temporary and permanent public artworks. Of the 2018 selected PAN Year in Review projects, six uniquely addressed the issue of underrepresented histories.
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Mr. Lucas Cowan
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-2028-1546887297.jpg?itok=rWNd8DGj)
Mr. Kipp Kobayashi
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Ms. Mandy Vink
2018 PAN Year in Review Trends and Themes: Site Responsive Projects
Posted by Feb 11, 2019
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-2810-1546886368.jpg?itok=lC-mQX09)
Mr. Lucas Cowan
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-2028-1546887297.jpg?itok=rWNd8DGj)
Mr. Kipp Kobayashi
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-7492-1502220087.jpg?itok=9ceR-Uqp)
Ms. Mandy Vink
Annually, the Public Art Network (PAN) Year in Review recognizes outstanding public art projects that represent the most compelling work for the year from across the country and beyond. The projects are selected and presented by a jury of three professionals who represent different aspects of the public art field, including artists, administrators, and other public art allies. New this year, the PAN Advisory Council curated the selected 49 selected projects for 2018 under five unique themes to broaden the exposure of the selected works on ARTSblog and social media, and to provide context to the works through national trends and themes that are impacting the field today.
Site-responsiveness is a hallmark of public art, wherein the artist(s) commits to an investigation of site to inform the work. Creative investigation considers geography, locality, topography, community (local, historical and global), and history (local, private and national)—sometimes re-telling well-known stories and sometimes unearthing long forgotten or unheard stories. The 2018 PAN Year in Review projects featured below each serve as a social agent to explore local histories of what we build, create, and invent. Holding our histories to inform our futures, these works also explore human perception, evolution, conflict, and progress. Many of these projects acknowledge environments or communities that once existed in these landscapes, reinterpreting history of community in a contemporary and, in many cases, interactive way.
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Ms. Jessica A Levy
Rehearsing for Civic Dialogue
Posted by Jan 03, 2019
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Ms. Jessica A Levy
Few of us are taught how to do civic dialogue. How do we develop and improve our ability to facilitate groups made up of individuals with potentially vastly different life experiences, identities, vested interests, and communication styles? Here’s one answer: Theater. When we want to literally incorporate new skills in our work, we need a body-based practice that can allow us to explore the interplay of subject matter, emotional response, social identity, and physical bodies in a physical space. That is the theater of civic engagement. And the methods of theater are learning tools that can and should be central to the training of public officials and community leaders who shape our interactions in the public sphere. Drexel University is currently working to ensure that urban planners have the skill set to facilitate civic engagement, and its Masters of Science in Urban Strategy (MSUS) program has drawn on embodied and theater-based methods as a core training methodology.
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Mr. Jacque Liu
Civic Practice: Coupling Government Purpose and Artists’ Imagination in the City of Philadelphia
Posted by Dec 03, 2018
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Mr. Jacque Liu
From 2015 to 2017, the City of Philadelphia’s Office of Arts, Culture and the Creative Economy (OACCE) planned and implemented Civic Practice, a program exploring government-initiated artist-led work in the community. Civic Practice was co-led by myself and Art in City Hall Program Manager Tu Huynh. Working with then Creative Time Artistic Director Nato Thompson, Civic Practice began with the formation of a National Task Force that would come together with local government leaders, artists, and community leaders to learn about best practices and experiences regarding how government can be proactive in civic dialogue through the arts. In many ways, simply gathering this group of creatives and civic leaders in this type of facilitated discussion was a major breakthrough. Innovation and input came equally from artists and bureaucrats and led to many unexpected, but needed and wanted, conversations.
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Ms. Maureen McGuigan
The Transformative Power of Cross-sector Collaboration: A Story of the Lackawanna County ARTS Engage! Task Force
Posted by Nov 05, 2018
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Ms. Maureen McGuigan
The ARTS Engage! Task Force was created in 2016, inspired by a successful youth arts program and with a mission to “improve the quality of life for Lackawanna County residents through access to and participation in artistic, creative, and cultural experiences.” The power of passionate, committed, and diverse people working together has the ability to transform communities, but meaningful cross-sector collaborations take time. The kind of knowledge trust, enthusiasm, and planning needed for sustainability cannot be achieved in a short time frame. But rather than think of this as daunting, we can see it as a chance to expand our world, meet new people, challenge our cognitive biases, and create innovative and integrative systems of change. There will be stressful days, things won’t always work, and there may even be conflict. But I have found the joy in this work, and the impact far outweighs the difficulties.
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Randy Cohen
Americans Speak Out About the Arts in 2018: An In-Depth Look at Perceptions and Attitudes About the Arts in America
Posted by Sep 27, 2018
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Randy Cohen
In a society struggling to find equity and social justice, Americans believe the arts improve the quality of our communities. How do we know? We asked. Americans Speak Out About the Arts in 2018 is the second in a series of national public opinion surveys conducted by Ipsos on behalf of Americans for the Arts. One of the largest ever conducted, it gauges the public perspective on (1) personal engagement in the arts as audience and creator, (2) support for arts education and government arts funding, (3) opinions on the personal and well-being benefits that come from engaging in the arts, and (4) how those personal benefits extend to the community. Here are some findings of the survey.
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Erika Juran
What does hosting a birthday party for a hotel duck have to do with arts marketing?
Posted by Mar 15, 2018
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Erika Juran
Participating in a special marketing initiative for Pennsylvania arts administrators gave our organization the tools we needed to expand our reach and strengthen our storytelling strategies.
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Erika Juran
Advancing Arts Locally
Posted by Jan 02, 2018
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Erika Juran
While we all work to serve audiences that are growing in diversity, we cannot prescribe the art that might engage our audience without engaging in conversation. We must be ready to walk with them, to find out through relationship and exploration together what their expectations, needs, and wants are. And that’s how we truly build community through the arts.
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Erika Juran
Arts and Cultural Solidarity
Posted by Oct 20, 2017
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Erika Juran
For many artists, making art is a coping mechanism to find inner calm and some kind of understanding about a confusing, chaotic world. So how might art heal our world? How might the artist become the healer?
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M. Michelle Illuminato
A Factory Lost & Found in Pittsburgh
Posted by Aug 15, 2016
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M. Michelle Illuminato
The “Lost & Found Factory” tapped into our personal memories of singular connections we have to special things. These objects may be small or large or abstract and unwieldy, and yet somehow they all have been etched onto our minds. They act as symbols for relationships, relics of important moments, or as souvenirs that take use back to places we have experienced.
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Michelle Angela Ortiz
“Familias Separadas”
Posted by Aug 19, 2016
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Michelle Angela Ortiz
Public art can serve as a platform to educate, create awareness, and to inspire action. As an artist working in communities for more than 15 years, I believe that when we decide to write and tell our own stories and create the images that are true reflections of who we decide we are—those are revolutionary acts.
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Laura Kochman
How to Make a Monument
Posted by Aug 14, 2018
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Laura Kochman
In the fall of 2017, Mural Arts Philadelphia embarked on our biggest project ever: Monument Lab, a nine-week-long public art and history project challenging Philadelphians to join a citywide conversation about history, memory, and our collective future. Twenty dynamic contemporary artists, selected by curators Paul M. Farber and Ken Lum, created temporary monuments across the city, and four of them were selected as outstanding public art projects by Americans for the Arts’ Public Art Network Year in Review. Because these four artworks stem from the same project, it’s easy to draw lines between them. Monument Lab asked us to consider what a monument is, and who gets a say in history. All of the artists answered this question in different visual ways, but their common qualities are clear. All four pieces make clear what is missing, what has gone untold.
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Ms. Norah G. Johnson
Help, I’m Marketing and I Can’t Get Up
Posted by Mar 22, 2018
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Ms. Norah G. Johnson
How many of us are walking a line at our jobs between being an arts marketer, or not? Nowadays it seems as if dual and blended roles are becoming increasingly the norm for all except the largest arts and cultural organizations.
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Ms. Christina Ritchie
Preparing Your Organization and Your Donors for Shifts in the Charitable Tax Deduction
Posted by Feb 16, 2018
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Ms. Christina Ritchie
On January 1, the 2018 Tax Cuts & Jobs Act went into effect, a substantial change to the U.S. tax code which has the potential to negatively impact arts and culture nonprofit organizations in a variety of ways. One of the most significant impacts will come in changes related to the thresholds and amounts associated with the charitable tax deduction. This 100-year-old provision was designed to stimulate giving to charities and other organizations serving the public good by providing an opportunity to claim a deduction as a reduction in an individual’s tax burden. While the repercussions of the federal tax code changes are still emerging, and corresponding shifts in state-by-state tax policy may impact your situation, the notes that follow are an introductory primer. If you have questions about state-level implications, we recommend you reach out to your state comptroller or state association of nonprofits.
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Ms. Kate O. McClanahan
Arts Advocacy Day Is Coming
Posted by Feb 01, 2018
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Ms. Kate O. McClanahan
Although years may really just be a number, in its 31 years, Arts Advocacy Day has seen six different U.S. presidents spanning both political parties. It’s witnessed sixteen different congressional sessions and eight different Speakers of the U.S. House. Through it all, every year, attendees hear that “the arts are bipARTtisan.” Because, no matter who’s in office, arts advocacy matters. Funding decisions are made every year. Who’s deciding this year may not be deciding next year. Who’s to remember what happened before? Who’s to know why it matters? Who’s to learn from each other? The answer is us. All of us. All of us together.
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Jessica Gaines
Behind the Business: Learning about the 2017 BCA 10 Honorees, Best Businesses Partnering with Arts in America
Posted by Sep 14, 2017
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Jessica Gaines
On October 11, businesses of all types and sizes from all across the country—Vermont to Hawaii and eight states in between—will come together for the BCA 10 gala at the Central Park Boathouse in New York to be recognized by Americans for the Arts for their outstanding commitment to the arts. But WHO are these honorees? Learn more about their arts partnerships below including corporate performance groups, extensive art exhibits, and some fierce board leadership.
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Laura Kochman
Discovering Philadelphia with “47 Stories”
Posted by Aug 18, 2017
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-11960-1502222819.jpg?itok=EGWNqS3-)
Laura Kochman
47 Stories reimagined Philadelphia's north-south-running 47 bus route, telling the stories of the immigrant and refugee communities that are connected from bus stop to bus stop. Through interviews, audio collage, alternative map designs, and a wrapped SEPTA bus, artists Shira Walinsky and Laura Deutch activated the public space of city transit in a new way. The goal was to make immigrant and refugee communities visible, to acknowledge and bring attention to their contributions to Philadelphia.
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Laura Kochman
Reflection, Representation, and “14 Movements”
Posted by Aug 15, 2017
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-11960-1502222819.jpg?itok=EGWNqS3-)
Laura Kochman
Artist Mat Tomezsko’s 2016 project with Mural Arts Philadelphia, 14 Movements: A Symphony in Color and Words, started out as a beautification request from the 2016 Democratic National Convention Host Committee, but it became so much more. Tomezsko created a wash of color along the median of Broad Street, stretching out languidly over 14 city blocks, a full mile-long mural marking a major transit corridor. 14 Movements created opportunities for reflection on the diversity of experience in Philadelphia, the very real, rich, inner lives that unfold every day in simple journeys down the street.
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Randy Cohen
Arts & Economic Prosperity 5: How the Nonprofit Arts & Culture Industry Impacts the Economy in Your Community
Posted by Jun 17, 2017
![](https://intranet.americansforthearts.org/sites/default/files/styles/square_150/public/pictures/picture-631-1704158512.jpg?itok=_HHZMeI-)
Randy Cohen
When recently asked how best to advocate for the arts in the current environment, U.S. Senator Tom Udall (NM)—co-chair of the Senate Cultural Caucus and chief sponsor of the CREATE Act—was unequivocal: “Start by telling every one of your Senators about the economic benefits of the arts.” This familiar refrain is one we have heard for decades from city council chambers to governor mansions to the halls of Congress—and it works. Arts & Economic Prosperity 5 does just that. It changes the conversation about the arts from that of a “charity” to one about an “industry” that provides both cultural and economic benefits to the community.
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Ms. Kate O. McClanahan
Advocacy & Arts: Have You Seen the Ads?
Posted by May 05, 2017
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Ms. Kate O. McClanahan
Elected leaders care deeply about the areas they represent and the views of their constituents who elect them every few years. They may not agree with what they think, but they do care to know what they think—and it is certainly one key factor that weighs on how they cast their votes, what issues they focus on, and what areas they deepen their knowledge. Since we know that ads bring attention to issues, inspire and educate the public, and mobilize grassroots, they are one great way to invite data and impact stories that can lead to policy change. And, we know that legislators read their local newspapers, so the message gets through.
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