ESEA Reauthorization – The Senate Takes Action!
Although the timing of congressional votes keep getting kicked around, it remains a crucial time in Washington for arts education.
Partnering with the business community no longer means just asking for money. Learn how to effectively talk to business leaders, marketing departments, human resource personnel and other decision makers within the business environment about how to develop mutually beneficial projects.
Two project managers and two artists discuss building successful relationships and developing skills sets that lead to the best art project while cultivating creative thinking and problem solving. Public art professionals at all levels of experience are encouraged to register.
Participants will learn the basic "nuts and bolts" of the field of public art. The 90-minute webinar will cover some of the unique skills required for art-making in the public realm including an overview of public art and the public realm, project examples, programs, funding, implementation and resources for further study. Two case studies will be presented which explore the experiences of two artists who have transitioned from the studio/gallery to the public realm.
New York
New York
Arts Education Poised for Comeback in Nation’s Largest School Districts
Doug Israel
Urban school districts, such as New York and Chicago, are taking bold steps to expand the school day curriculum and once again invest in arts education. After years of budget cuts, and a narrowing of curriculum at public schools across the country, cities are taking action.
New York
The Role of the Arts Specialist
Lauren Hess
New York
One-Time Mentoring Has a Big Impact
Kim Picarillo
New York
Art in Motion: Monmouth Arts and New Jersey Transit
Mary Eileen Fouratt
New York
The Intersection of Public Art and Arts Education
Jeff Poulin
New York
Sharing Transformative Histories is Everybody’s Responsibility!
Tia Powell Harris
What’s a Weeksville?
New York
Neighbors and Strangers
Caron Atlas
“We fought poverty, violence and blight, and we made the Southside a better place to live. We are now strangers in our own neighborhood, and it’s painful.”
New York
Freestyle Love Supreme Shows Some Love for Arts Education
Kristen Engebretsen
New York
What’s volunteerism anyway? A recap of ABCNY’s Arts Volunteer Fair
Kellyn Lopes
New York
It’s time to Replace the “Broken Window” with a “Scaffold Up.”
Amy Sanamman
New York
A Brute in America: Poetry and an Interrogation of Violence
Patrick Rosal
New York
Rebuilding Fort Worth’s Business Volunteers for the Arts Program
Wendy Taliaferro
New York
What the Midterm Elections Mean for the Arts: Summary of 2014 Election
Nina Ozlu Tunceli
New York
A Sea Change in the Volunteer Landscape
Adapting to a shift in the volunteer landscape is one of the exciting challenges that the Arts & Business Council of New York (ABC/NY) and many arts organizations now face. As a new team running ABC/NY, my colleague Caleb Way and I are putting our heads together to come up with innovative ideas to expand and modernize our local volunteer matching program.
New York
Don’t Dismiss Digital Experiences
Aaron Bisman
New York
The Cohort Club
Sean Daniels
For Geva Theatre in Rochester, NY, I created an engagement group that has significantly impacted the way we interact with patrons and stakeholders, it’s called The Cohort Club.
I started with four ideas:
1) Education breeds excitement.
New York
The Art of Balance: Recapping the Crain’s New York Arts & Culture Breakfast
Caleb Way
New York
NEA Supports Creative Youth Development
Terry Liu
New York
Making Arts Education Count
Adarsh Alphons
The key to building support for arts education lies in the unlikeliest of places: numbers.
New York
We Know What You Did Last Summer: Arts and Business Council of New York’s Multicultural Arts Management Internship Program
Caleb Way
New York
We Know What You Did Last Summer: Arts & Business Council of New York’s Multicultural Arts Management Internship Program
Caleb Way
New York
Public Art; a means for human development – The Artist as Social Animator
It was about six years ago, in 2007, sitting in my small Hong Kong apartment, that I put down ideas for a work practice that would use public art and modern culture as means of developing community and habitat. A practice where the arts would be used not just as an aesthetic to beautify or to activate space, but as productions of communality with the residents of a place and through a process that would open a space for community members to develop and connect.
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