New York Foundation for the Arts (NYFA), founded in 1971, empowers artists at critical stages of their creative lives. One of the ways NYFA serves our mission is through our Immigrant Artist Mentoring Program (IAP) that has served more than 460 mentees since 2007. A large part of the success of this program is the fostering of communities and networks that enables participants and consultants to connect and collaborate to create more opportunities for artists to showcase their work and push their practice to new levels. A clear example of this is a recent NYFA/New York Live Arts (NYLA) collaboration initiated by Yanira Castro, a Puerto Rican, Bessie Award-winning artist based in Brooklyn, and Martita Abril, a performer, choreographer, teaching artist, and mentor of the IAP Program. With the goal of reflecting on the multiplicity of their experiences, identities, practices, and politics, these artists also speak to what holds them in common: the experience of displacement and disorientation, and the work of communicating/finding/forming community. 

“What is justice?” In my first year of college, I had a research assignment to choose a case study related to this question. I wrote about the need to increase equitable access to arts education in the United States as a means for social justice, and used resources from Americans for the Arts for my research. With previous experience as a visual arts student as well as an art teacher for students from underserved schools in the Washington, D.C. area, I knew the transformative power that the arts could have to empower individuals and communities. My classmates were eager during my presentation to hear more about the case for the arts as a matter of social justice, as many of them reflected that they had never thought about arts in the context of social impact or equity. Since then, I have wanted to be an advocate for the arts wherever I go, knowing that it is so intertwined with issues of equity and social justice. I have pursued ways to integrate my interests in the arts with my professional goals of advocacy and related communications fields. This summer, I had the perfect opportunity to integrate my interest in the arts with my professional goals as the Marketing and Communications intern at Americans for the Arts.

When I envisioned Rollie from the very beginning, I aspired to create a brand that was bigger than me, a brand for the people, and designed alongside other creatives to challenge myself and what is the norm in the industry. This allowed us to create our own unique point of view and USP (unique selling proposition). Being a creative business owner, working with other creatives, felt very natural and empowering to me and the value in doing so was immediate. Our first collaboration came two days after launching the brand; it was with the founder of an award-winning design agency who was simply fascinated by the product and brand story. We collaborated despite not having the funds, with the common understanding to create something we were both proud of; we came runners up for Australian Print ad of the year with our first campaign. The lesson here is that there are other currencies than money.

This summer, 24 Diversity in Arts Leadership interns from all over the country are working at arts nonprofits in New York City, New Jersey, and Des Moines, Iowa for ten weeks to explore and build skills in arts administration and leadership. This series will feature our DIAL NYC cohort in two parts. Six interns are profiled here and in a previous post, six more! For 27 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. Special thanks to DIAL interns Kadiatou Balde, Andrea Lewis, and Carlos Nuñez for writing, curating, and taking photos for this post!

This summer, 24 Diversity in Arts Leadership interns from all over the country are working at arts nonprofits in New York City, New Jersey, and Des Moines, Iowa for ten weeks to explore and build skills in arts administration and leadership. This series will feature our DIAL NYC cohort in two parts. Six interns are profiled here and in a later post, six more! For 27 years, Americans for the Arts has been hosting the DIAL internship program as an investment in a more equitable arts management field. Special thanks to DIAL interns Kadiatou Balde, Andrea Lewis, and Carlos Nuñez for writing, curating, and taking photos for this post!

So far, 2019 has been a banner year in the world of federal arts advocacy. Throughout the spring, we saw promising bipartisan benchmarks for support of an increased budget for the NEA in FY 2020. However, our work advocating for pro-arts policies doesn’t stop with funding for the NEA. Americans for the Arts, along with national coalition partners, has pursued more federal legislative priorities this year than ever before. From tax policy to transit, healthcare to education, we’re working to ensure expanded arts access and opportunity throughout the country. You can get more information and send a message to your congressional delegation about any of these bills through our Action Center.

The U.S. Congress will take its traditional month-long recess in August. Members of Congress will be in their home states and districts holding town halls, making visits to local organizations and businesses, and taking meetings in their local offices. Wondering how to continue your arts advocacy momentum during the long recess? Participate in the August Arts Advocacy Challenge to stay involved and make an impact.